2024
BERLIN, Germany
MIT KUNST ZU KANT
27. 10. 2024.
Bundesplatz-Kino, Bundespl. 14 Berlin
PRICA GALLERY SAMOBOR
SELF PORTRAIT WITH HELL
Trienall
15. 10. 2024.
ZAGREB, Croatia
North
CREATION OF A MACHINE GOD
19. - 21. 9. 2024.
SPLIT, Croatia
ThinkArt
UNSTABLE STAGES OF DATA
12. 9. - 14. 9. 2024.
ZAGREB, Croatia
hdlu annual exhibition
LOST DATA PORTAL
11. 7. - 25. 8. 2024.
Mestrovicev paviljon
BREMEN, Germany
MIT KUNST ZU KANT
18. 6. 2024.
Schwachhauser Heerstr. 207
PAXOS BIENNALE, Greece
MANIFESTO OF MEMORY
2. 6. - 6. 10. 2024
Island of Paxos, Greece
SPLIT, Croatia
CHILDHOOD PRODUCTION
Sveučilišna Galerija Split
27. 03. - 21. 04. 2024
DUBROVNIK, Croatia
Mysterium Crucis
MADONNA WITH UNDINGE
Sponza Palace Dubrovnik
17. 03. - 2. 04. 2024.
UNSTABLE GODS! A project that, in several implementation stages, shows the process of how our, human, common emotions and experiences become information, and how this information is manipulated into objects.
MY BEAUTIFUL WAR! The project gathers the author's personal war memories, photos, videos, objects, etc. from the beginning of the nineties, and passes them through the modern filters of the Internet generation: Instagram posts, Tik Tok videos, Facebook memes, etc., which relativize the original seriousness of the situation. The project raises questions about the way we construct ourselves when we depend on forms of representation and public stagings. Ideologized patterns of the foundations of the social order become content for network stagings.
THE DEAD MAN The dead man, acrylic on canvas, 2024. This work is the result of a months-long artificially constructed ritual. The work is a diptych, an altarpiece of a non-existent personal religion, commissioned for the contemporary art festival MaxArtfest. Under the title Dead Man, the author creates artificial social situations in which he faces the heteroopias of his own life. What decisions did he make in his life and how did they influence the formation of the line of life that others recognize as his identity. What could have been if he had decided differently and how these rejected realities become heterotopias that affect life. The author was declared a dead man in 2000 due to the complete purification of his social status. He continued to live as a "dead man" amidst the hell of circumstances and persons who build their lives on his "living death".