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2024

 

BERLIN, Germany

MIT KUNST ZU KANT

27. 10. 2024.

Bundesplatz-Kino, Bundespl. 14 Berlin

PRICA GALLERY SAMOBOR

SELF PORTRAIT WITH HELL

Trienall 

15. 10. 2024.

 

ZAGREB, Croatia

North 

CREATION OF A MACHINE GOD

19. - 21. 9. 2024.

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SPLIT, Croatia

ThinkArt

UNSTABLE STAGES OF DATA

12. 9. - 14. 9. 2024.

ZAGREB, Croatia

hdlu annual exhibition

LOST DATA PORTAL

11. 7. - 25. 8. 2024.

Mestrovicev paviljon

BREMEN, Germany

MIT KUNST ZU KANT

18. 6. 2024.

Schwachhauser Heerstr. 207

PAXOS BIENNALE, Greece

MANIFESTO OF MEMORY

2. 6. - 6. 10. 2024

Island of Paxos, Greece

SPLIT, Croatia

CHILDHOOD PRODUCTION

Sveučilišna Galerija Split

27. 03. - 21. 04. 2024

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DUBROVNIK, Croatia

Mysterium Crucis

MADONNA WITH UNDINGE

Sponza Palace Dubrovnik

17. 03. - 2. 04. 2024. 

UNSTABLE GODS! A project that, in several implementation stages, shows the process of how our, human, common emotions and experiences become information, and how this information is manipulated into objects.

MY BEAUTIFUL WAR! The project gathers the author's personal war memories, photos, videos, objects, etc. from the beginning of the nineties, and passes them through the modern filters of the Internet generation: Instagram posts, Tik Tok videos, Facebook memes, etc., which relativize the original seriousness of the situation. The project raises questions about the way we construct ourselves when we depend on forms of representation and public stagings. Ideologized patterns of the foundations of the social order become content for network stagings.

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THE DEAD MAN The dead man, acrylic on canvas, 2024. This work is the result of a months-long artificially constructed ritual. The work is a diptych, an altarpiece of a non-existent personal religion, commissioned for the contemporary art festival MaxArtfest. Under the title Dead Man, the author creates artificial social situations in which he faces the heteroopias of his own life. What decisions did he make in his life and how did they influence the formation of the line of life that others recognize as his identity. What could have been if he had decided differently and how these rejected realities become heterotopias that affect life. The author was declared a dead man in 2000 due to the complete purification of his social status. He continued to live as a "dead man" amidst the hell of circumstances and persons who build their lives on his "living death".

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